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《4480首播电影院》

  • 7.2分  恐怖片  香港  
  • 2023  拉丁语  
  • 2025-05-28 12:28:18  2788次播放
  • 导演:陈建斌
  • 主演:麦尔斯·费舍 兰迪·奥顿 大桥和也 奥丽维娅·德·哈维兰 路小慧
  • 该剧讲述了:其实此片真正☷的血腥恐怖镜✍✏头不多,主要还是第一幕杀人剧比较有血♠☟腥恐怖片的味☎道,但是其气氛却一直♣✖维持在高点,✌观众大多都欲罢不能✄,此确是导演讲故☟事能力水平☲✏之高的体现。美国☜☵人家庭观念都很重,☷连孩子也不例外,为了保☃卫自家的财产安全,凯✌☛文奇招迭出,暴笑的整人方式☃是这部喜剧电影的最大亮☯点。Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.

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